Sunday, October 25, 2009

lighten up: a minor existential closet crisis


An infinitesimally minute sampling of my wardrobe.

While traversing the internet and meandering through the glossies, I often come across what are two dominating philosophies in how one approaches adding to and organizing her wardrobe. On one hand, you have the pack rat, the one who has a lifetime of clothing stashed away in her closet, her kitchen cupboards, her parents’ house, maybe even at a storage facility. Very little, if at all, is ever removed. Such an approach suits the mash-up, heavily layered style, like that of Brooke from The Fashion Void that is DC. Alternately, one can dress in a basic way while still possessing a stuffed-to-the-gills closet. Regardless, the manner that such a wardrobe is portrayed in the media is, if you're holding onto all your old stuff, regardless of what you're doing with it, then you're a disorderly mess and you need advice on whipping your sorry cache of clothes into shape—hence all the "How to Organize Your Closet" articles.

On the other hand, there's the notion of simplicity and, inherent in that, minimalism: You buy less and only the best. It involves saving funds, a careful doling out of currency, and it tends towards premeditation. (Which, to be clear, doesn't exclude instinct. But I imagine that if one is only buying a few major pieces each season, spending copious amounts of money on such wares, then there has to be some planning and research involved. And yet, that doesn't mean that you don't go with what speaks to your heart.) There's also the tail-end of the matter. You don't just acquire, you edit and whittle at the same time. Income and outgo. Such a wardrobe is always representative of a conscious choice and no less. There are a couple of long-running threads on The Fashion Spot, "The 4-5 Piece French Wardrobe" and "The Minimalist’s Wardrobe," that exemplify the theme quite deftly. Camille of Childhood Flames is a prime instance as well; to be sure, her outfits in themselves are minimalistic, but so is her active wardrobe. (Or, at least, what she chooses of it to show us.) By all means, the sparse approach doesn't necessitate having copious amounts of money to spend. What it really boils down to is a value judgment, an ability to discern what is of value to you. The girl who has only $100 to spend on clothes this month can attend to the business of shopping and distilling in a discriminating manner just as the girl who has $1000 to spend can.

The crux of the minimalist's philosophy is its portrayal in magazines and blogs as being somehow more virtuous, superior to that of the hoarder. There's an unspoken looking down on buying fast fashion and mass market, as if the quality is necessarily poor and invariably substandard to expensive garments. That's often true, but any diversified and informed shopper knows otherwise: Pricey doesn't equal well-made, and low in cost doesn't always mean shoddy. However, to take it further, there's almost this sort of moral judgment that's passed on cheap apparel and closets full of it, like a distaste for "the commoners." In all fairness, it's a judgment that is not completely undeserving when you consider child labor, poor working conditions and the environmental impact that typically accompany cheap clothes. I guess it comes down to the fact that when something is easy to attain and amass in staggering numbers, it loses the specialness and value that is typically attributed to the rare.

There are exceptions to this system, this portion of people who have the inclination and means to care about what they wear. The exorbitantly wealthy who can buy the best of everything and lots of it is one such facet that comes to mind. But, that's neither here nor there on the subject of how the majority of us shop and organize. Realistically speaking, most of us combine aspects of both approaches or—if it's less a dichotomy and more a gradient—fall somewhere in the middle of the spectrum. Lots of us shop at H&M and Forever 21 (all associations to the contrary, Topshop doesn't fall into this category of "cheap" because last time I checked, a $410 beaded jacket or even a $65 viscose skirt didn't qualify for financial accessibility to the masses). Maybe occasionally we will splurge a little at Shopbop, Creatures of Comfort, Barneys. Handcrafted wares from Etsy, more splurges from Nordstrom, sales and discount codes galore, vintage, thrift, secondhand, home made—you know the drill. We all have our own formulas that include many, if not all, of these variables.

When it comes to the arrangement and cleansing of clothes, though, I have less a sense of how many of us actually behave. Maybe it's because, in this First World, American-influenced culture that spans across the globe, the focus is on acquisition and not appreciation, function and disposal. What I do know is that more bloggers are setting up their own blogshops these days, showcasing unwanted pieces from their own wardrobes in the hopes that readers will take the bait. eBay doesn't even need lipservice as I write of this matter, as do not consignment shops, swaps and charities. At the same time, I'll often hear or read, "I have too many clothes," as if such a state were a mild irritant, but not something really worth doing anything about. Frankly, this off-handed remark comes across as an ungratefulness for one's lot in life (i.e., having the means to afford "too many" clothes in the first place), but I suppose ostensibly it's conveying a frustration with the lack of order and functionality in one's closet. More money means more choices. Which brings me to the stereotype of the stockpiler, a generalization that's not always an accurate one: Surely, in the worst case scenario, chaos reigns the land. Things are a mess, forgotten, useless. But, optimally, a stuffed closet can be a sorted one: Things are cycled through and knowingly stored, only to be brought out once again when the mood or need strikes.

I bring all this up because as of late I've been reflecting on my procuring and, more so, systematizing, refining and shedding of possessions. Specifically so in regards to apparel, as it's by far the category of which I own the greatest quantity of. Bluntly put, I feel torn between the wardrobe binaries. I know logically that I don't have to pick one or the other, even though my tendencies put me squarely in the domain of those who have been squirreling away striped T-shirts since 5th grade. (I'm an organized squirrel, but a squirrel nevertheless.) But, a lack of storage and a basic desire to just have a decent looking home already, a living room without industrial sized trashbags crammed with sweaters and dresses, leaves me craving less. Less stuff, and more space. I do have clothes packed away at home in Hawaii, but sending more apparel on that 5,000 mile journey seems a tad absurd and unavoidably costly. I've also been finding myself drawn towards a more nomadic sensibility, an ability to pick up one's belongings and go when the stars align. A move to a new apartment not long ago crystallized the feeling, and it's been lingering ever since. What also doesn't help is that I've been staring—ogling, really—at interior decorating blogs a lot these days. I don't compare my outfits to that of other bloggers, but in the face of all these design websites, I do find myself feeling a bit inadequate about my dwellings.

I have donated and sold things before, things of my youth and things that I acquired during the steepest part of my personal style learning curve (which, if you're wondering, consisted of four years of diligent experimenting. One's style should evolve as she evolves as a person, but as with most disciplines, there's often the initial struggle to recalibrate and comprehend.) When I let garments go, I thought I had moved beyond them, that they were no longer to my taste. What compelled me to actually get rid of these things, though, was that I had temporarily fallen under the spell of simplicity. It felt good at the time, but I now bemoan some of those releases—even pieces that I got rid of a decade ago. The fact of the matter is that my taste cycles, and I regularly dip back into my Rubbermaid tubs of clothes that span the course of 20 years. That's 20 years of my life, not just 20-year old dresses that I picked up in a vintage boutique last Saturday. Another reason I am reluctant to scale back, a reason that's only come about in the past few years when I started experimenting more, is that pieces I don't necessarily like on their own now work fantastically in amalgam, mish-mash-type outfits.

Where I'm at now with my stash of clothes is that I know what I simply do not need anymore, whether it's because it was a bad choice in the first place or something that I will never be able to fit into again. Those, I have already sorted out to be sold and donated. I know which clothes I cherish, clothes that I will go to the extreme of taking as carry-on when flying, for fear of losing checked-in baggage to the airport abyss. What I don't know is what to do with the 80% of my stuff that I find very useful and likable, or stuff that will be useful and likable within the next 1-5 years, but is not piercingly lovely. Or bizarre, or classic, or dorky, or avant garde. In a nutshell, stuff that is not my favorite stuff. I suppose I can exclude 40% of that from my fretting because it is part of my current, active wardrobe. That leaves the 40% that sit, folded and stacked with care, in the aforementioned plastic tubs. I'm feeling that temptation to let go of things once again, but I tiptoe the line, uncertain if I'll face future regrets once again.

The truth is, sometimes I go minimalist like Childhood Flames and other days I pile it all on like The Fashion Void that is DC. Clearly I need to reconcile the fact that, for as long as my daily outfits span the entire spectrum—neither consistently eclectic nor spartan—I need a wardrobe which supports this sort of erratic behavior. At the same time, I can still do that with a clothing cache significantly smaller than the one I currently have. I've been mulling over everything for such a long time now, and I think what I crave most is action. To finally be settled with it all. And, as the call of simplicity has been beckoning for quite a while now, I think it's time to take heed and see where it goes. I feel ready for this change, this release from pondering and of ponderousness. If nothing else—if in a year from now I end up lamenting frocks freed, leggings liberated and blazers unbound—at least I'll have given it a go and done my best. That's really all that be said of anything in life. My life, that is.

I'm going full force on this cleaning spree and not looking back.

Wednesday, October 14, 2009

you can go your own way

Over my annual, unscheduled summer hiatus, I was contemplating a future post on the "new direction" of dreamecho, a direction that involved less writing than in past years. For, although I came into this blogging world with the desire to use my linguistic and analytical skills to their fullest, these days I've been minimally interested in words—these basic building blocks of expression that seem to signify even less now that people use them so recklessly, deceptively and erroneously. So many bloggers don't think about the true meaning and impact of what they write, that the text accompanying their posts has become superfluous at best. Meanwhile, not unlike the fashion blogosphere's value of image over word, the trajectory of my own interest has followed suit. I still like to examine and dismantle ideas, trends, collections in my personal life. However, in regards to what I want to put out in the public domain, I've been much more absorbed with the task of composing outfits and letting them do the talking.

So, like I said, I was all set to chart new waters. Pretty pictures for the win. Except that...I got bitten by the writer's bug bad last week. I couldn't stop typing for some 1,800 or so words. It was just on and on and on. In the earlier days of my blog, when I was a few degrees less erratic in posting than I am now, I would write critiques, rants and meditations as I pleased and post them without preamble. But given that it's been a while since I've done that, I didn't want to throw anyone for too much of a loop. Consider this message, then, your fair warning. I make no apologies for writing essays on my fashion blog when such an act has become outdated, but the choice is entirely yours as to whether to read it or not.

Sunday, October 4, 2009

basic instinct

Boston Fashion Week has run its course once again, and while in the past I've been a dresser for Sam Mendoza and Samuel Vartan's shows, I decided to take it easy this year and just go as a spectator. Generally speaking, I prefer to be behind-the-scenes or a part of making things happen, but sometimes a girl wants to experience the fruits of labor, ya know? I considered donning the outfit below for Tuesday's BFW festivities (more on that later), but in the end I decided to wear it for—what else?—running errands and shopping. (Gawd, the errand-running never ends, does it?)

On another note, I've been throwing silly fashion rules to the wind and mixing prints like there's no tomorrow. Objective-ishly, most of these outfits are turning out pretty well, but I also feel like my mind is melting and that I'm losing all sense of deliberate-ness, measurement and...concern? Maybe it's just me entering a new stage in my style and letting go, following my instincts. It's a point that one comes to when deeply invested in any discipline, be it art or science (holla!)—when that culmination of training and knowledge fuses into that most intrinsic part of you, and you no longer struggle with and agonize over the step-by-step. You don't have to overthink everything anymore. You just know what to do.

If that's the case, perhaps I shouldn't be so worried after all.

dreamecho boston fashion blog style
dreamecho fashion blog boston style
Outfit: Old Navy magenta/navy striped shirt, Miss Milne blue/silver sequin capelet, F21 black/white gingham pencil skirt, LD Tuttle The Pilgrim brown leather boots, Twelve by Twelve black ribbon necklace, Banana Republic black skinny belt.

Monday, September 28, 2009

float like a butterfly, sting like a bee

After being out of the blogging ring for a couple of months, I've been bouncing with eagerness to get back into the game. What better way to do so than with my Irregular Choice wrestling boots—and red sequined ones at that! Muchos thanks to Lauren for tipping me off to them during summer sale season. At first I had my reservations, not so much in regards to liking them (how can one not?! They're a total knockout!), but in regards to how I'd style them. Sure, it's a no-brainer to pair them with cutoff jeans and a tissue thin T-shirt. One of the last things I want, though, is for my capabilities to be limited to wearing "ridiculous" pieces in bland contexts. Down for the count I nearly was, lacking in ideas! After some emergency conferring with friends—like a water break and pep talk in the corner of the ring—I was ready to take those bad boots on and go straight for the takedown. So, I had them shipped up from the NYC store pronto, and I've been winning my matches ever since.

dreamecho boston fashion irregular choice
dreamecho boston fashion irregular choice
Outfit: Vintage Linda Allard for Ellen Tracy white beaded tank top, Zara faux fur vest, AA white skirt, vintage taupe slip, Hue black/white striped socks, Irregular Choice red sequin wrestling boots, F21 beaded bib necklace.

Thursday, September 10, 2009

just a little bit longer

Salutations!

I may sound cheery in greeting, but in truth I'm grumpy and disappointed. It looks like it'll be a tad while longer until I get to post again. I've been without Internet at home for the past week, and until my landlord gets an electrician to replace the faulty cable, I'll be stuck snatching glimpses of fashion week happenings from wherever I can—namely, while on break at work. After taking a month off to handle frustratingly time-consuming personal stuff, I was really looking forward to getting back to blogging. Looks like I'll just have keep on looking forward to it.

Sincerely,
A rather infuriated and disgruntled dreamecho

Photo credit: telephone pole.

Wednesday, August 19, 2009

summer days, driftin' away

Hi ladies (and the odd gent),

Don't mind the taper off in posts! At this time of year I'm usually trying to cram as much daytripping in as possible before fall sets in. I've also been preoccupied with furnishing my apartment, a real learning experience since up 'til now my interest and money have always been devoted to the task of decorating myself and not my environs.

In any case, I'll be back soon enough, certainly before the month's end. Until then, take care!

Hearts,
dreamecho

Monday, July 27, 2009

ka-bloom

bloomers, boston fashion style blog dreamecho

A couple of months ago, I launched Bloomers, Round II: The Frenzied Online Hunt (see Round I: The Random Brick and Mortar Find) and promptly wound up at the treasure trove that is Neneee, Valerie King's Etsy line. While waxing verbose about her work, I also took the opportunity to scoop up a floral pair. It's taken me some time to get around to writing about it, but as you know on dreamecho, the show goes on....eventually. Anyhoo, I've been pleased as pie with my bloomers, though Partner seems to think that they look like diapers or undies. Obviously, I beg to differ.

Outfit: Sweetwater Vintage lavender ruffle blouse, Neneee reconstructed floral bloomers, Dolce Vita grey wedge gladiators, F21 gold medallion necklace, F21 violet-hued metallic scarf.


bloomers, boston fashion style blog dreamecho

Sunday, July 26, 2009

sweet dreams are made of this

teen vogue beautiful dreamer sleepwear fashion editorial nancy rohde march 2009 dreamechoThe styling in Teen Vogue's editorials is, in my mind, among the best that American magazines have to offer. (And it most certainly puts big sis Vogue to shame.) Of note, the "Beautiful Dreamer" editorial has been resonating spectacularly with me; I've been savoring the luxurious indolence of the various paisley and polka dot silk pajamas since the spread debuted in the March 2009 issue. Although bedclothes left to their own devices may across as conspicuously sloppy, the look deftly takes off with beaded clutches and tulle hairpieces. At the same time, those ever so alluring tendrils of sleep are anchored with bowties, chunky wedges and studded oxfords.

Though the editorial came out six months ago (has it really been half a year already?!), I'm only now finding ways to incorporate certain elements into my style. Up next? Bloomers. Again.

teen vogue beautiful dreamer sleepwear fashion editorial nancy rohde march 2009 dreamecho

Side note: Oy vey! Why, I do believe it is the controversial Diane von Furstenberg floral bed jacket there in the above left photo—a jacket which, in light of CFDA President DvF's push for the Design Piracy Prohibition Act, is an arguably hypocritical knockoff of the original one by Canadian line Mercy. But carry on....

teen vogue beautiful dreamer sleepwear fashion editorial nancy rohde march 2009 dreamecho

teen vogue beautiful dreamer sleepwear fashion editorial nancy rohde march 2009 dreamecho

Monday, July 20, 2009

phone home

E.T. movie memorabilia pin Spielberg dreamechoIf memory serves me accurately, my earliest exposure to cinema (as it, um, were) involved a triumverate of Care Bears movies and E.T.: The Extra-Terrestrial. They all came out within the general vicinity of my birth/rearing, and I’ll wager that a healthy number of you who came into this world in the early to mid-eighties lay claim to the same movie influences. Watching the Care Bears at five, six, seven years old, of course, is fairly self-explanatory and innocuous enough. Viewing E.T. at that same stage in life, however, is positively frightening! There was that pervasive sense of intimidation (the government on the hunt, runs through the forest at night, faceless scientists suited up in space suits). There was that gruesomeness (E.T.’s red glowing heart, an ailing E.T.) and that violence (Elliott’s cut and blood, attempts at E.T.’s revival with defibrillators). And that intro song? Well, there's an ominous beginning if I ever heard one. But most of all, the film conveyed a sadness, a loneliness that was hauntingly indefinable to me at the time. In truth, that may have been the scariest thing of all to a wee kindergartner like myself.

Fast forward to the present. In a supremely style-inspiring interview with Pipeline, Vena Cava designer Lisa Mayock explains her outfit formula: "How about three words: Confuse and Amuse. Some kind of incongruous element is always essential—a sweatshirt worn with a beaded collar, or a long black gown with an old E.T. pin from the '80s always makes me feel like myself."

E.T. movie memorabilia pin Spielberg dreamechoNow, for those who appreciate a dose of the sartorially unexpected, did she pin the tail on the donkey's bum or what? I don't know about you but upon reading, it was immediately evident what my next purchase was to be. In my most unoriginal move to date, I clicked over to eBay and searched for—you guessed it—E.T. pins.

What better way to achieve a sinister, supernatural and sensitive sort of discord? Though I no longer need to cover my eyes when watching the Spielbergian classic, that creepy-crawly sensation continues to linger. So much so, that I tentatively toed the line of not wanting to wear such a creature on my bosom. I've mustered the guts to don them, however, and have already purchased two such brooches. There were many to choose from, including a set of four ceramics that looked like tiny turds. In the end, I decided to go classic: a full-length of the eponymous character (in which he appears to be playing with himself?) and a cloisonne version of Elliott and E.T. Gosh, how these pins dial up the memories....

Photo credits: Full length E.T., cloisonne pin.

Sunday, July 19, 2009

with a pint of green chartreuse, ain't nothing seems right

hussein chayalan ali michael 16x9 nomenus quarterly

Plain and simple, chartreuse is one of my favorite colors. Now that I've gotten back into painting my nails (after a 10 year hiatus, no less), I'm admiring the pop of this electric color on the finger tips of a seemingly unhinged Ali Michael. In the FLY16x9 film short, concocted for Nomenus Quarterly's feature on Hussein Chalayan, lime nail by lime nail is bitten off with trepidation for a foreboding, unseen presence.

Though the question as pertains to the mini-movie might be, What is this portentous force?, what I'm personally wondering is, Where can a girl get such a thrillingly chartreuse nail polish?

Hints, clues...anyone?









Note: Looks like the Fashion sector of FLY 16x9 is down (looks like somebody forgot to renew their URL). Fortunately, the video is up on Nomenus Quarterly; go to the Current Issue and click on Hussein Chalayan.

Friday, July 10, 2009

notorious b.i.g.

Necklaces have grown considerably in size over the past few years. Whereas pint-sized pendants on diminuitive gold and silver chains once reigned over the market, the hefty, the colossal, the vast now dominate. Sometimes they'll come in smorgasbords of entagled chains, pearls, lace and objets trouvés. Other times they'll come more plate-like, expansive planes of rhinestones or embroidery. No matter the case, you can count on them to regulate. What did we ever do without them? I, for one, can't get enough of my Twelve by Twelve ribbon neckpieces—to the point where my outfits often feel deficient without one.

As she is wont to do, Lauren of the shuttered Fops and Dandies recently tipped me off to Forever 21's recent influx of bossy bibs. Just in time, too, as I was looking to add some variety to my scant supply. Time for me to go out there and make some statements to the world!

bib statement necklace dreamecho

First row: Silk Flowers, Round Cluster Bead, Princess Acrylic (no longer available). Second row: Tribal Leaf Rope, Eclectic Sequin Bib, Jewelled Medallions. (Apologies in advance if the links are dead–some of them are going like hot cakes!)

Background image: July 4th abstractions.

Monday, July 6, 2009

sparkle motion

shakuhachi fashion dress dreamecho boston fashion style

Over the weekend, Partner and I went to watch a friend's performance at Jacques', a tranny club in the Theater District. It was the perfect opportunity to debut my Shakuhachi dress. While we were there, I got the vague impression that one of the venue's denizens was eyeing me out—or, more specifically, eying out my sequins. You can be dang sure, though, that I wasn't the only besequinned one in the room.

In other news, chalk this up to yet another outfit where bike shorts perform in a Starring Role. (If they were worn out of sight, merely for modesty, then they'd be relegated to a Supporting Role.)

Outfit: Target black cami, Shakuhachi dress, F21 lightweight trench, AA gold/black shiny bike shorts, Pierre Hardy x Gap brown platforms, Twelve by Twelve off-white ribbon necklace.

shakuhachi fashion dress dreamecho boston fashion style

remains of the day

dreamecho fashion blog boston style
While traversing the streets of NYC, I peeked into I Heart's closing sale. Expectations were low; it was the last day of the sale and Michele had told me there wasn't much left. Indeed, pickings were Slim much like Jim and Shady, so much so that I thought I'd leave empty handed. Fortunately, in the eleventh hour, my rummage resulted in this Shakuhachi minidress. Doth thy eyes spy sheer navy and silver sequins?, I blinked in awe. No questions asked! The frock fit just as I had hoped—not corset-squeezing, breathing-prohibitive, but not shapeless sack either. (What I was to later uncover was that the dress was three sizes too big. No matter—size is just a number anyway.) The original tag was missing but at $65, I believe it a steal regardless of initial price. For what it's worth, though, most Shakuhachi dresses seem to go for well over $200. And by the way, that's not my midriff you're viewing beneath that navy flimsiness. It's a stretch nude panel that I suppose is meant give the illusion of skimpiness.

As I was paying, a bucket of veritable dregs beckoned me forth. From the dreary depths loomed this Medicom Fabrick x Kim Songhe beauty bag/coin purse. Strangely, it was still priced at its original and (in my opinion) exorbitant $55, but after some friendly chatting the salesgirl lowered it to $10. Often, a little warmth and politeness goes a long way. In this case: $45.

dreamecho fashion blog boston style

Outfit: Target black cami, Shakuhachi dress, AA gold/black shiny bike shorts, Converse creme low tops.

pandora's box

The box that my F-Troupe white gladiator flats came in has to be the hands-down, bow-down-I'm-not-worthy best cardboard container of footwear ever. (This is, of course, speaking from personal experience and not a proclamation in regards to the entire species of shoe boxes.)

Such elaborate illustrations! For sure, there's the overall Art Deco scheme (I shan't be forgetting the name of that era again), with ladies masquerading in their flapper and harlequin best. Others forgo clothes partially or completely; a Louise Brooks-bobbed girl flits by in her birthday suit while her doppelganger opts for heart-shaped pasties. Participants engage in near orgy-esque activity, while drink and drug abound. Indeed, on the bottom of the box a man reclines, smoking opium in isolation. The box exudes festivity, opulence and even mystery—undoubtedly I'll be using this as a chest for things dear. But one wonders, is there anything I could put inside that could possibly live up to such heady heights?

f troupe shoe box fashion dreamecho

Sunday, June 21, 2009

pink flamingos



Squeezing in a daily wear post when little time remains to do much else. These pics were taken by Martini of Beyond Boston Chic several weeks ago—hence the fantastic photographic quality.

Outfit: Target camisole, Peeps nude mesh hand top, Banana Republic hot pink shiny blazer, Maxine Dillon grey skirt, AA black lame leggings, Jeffrey Campbell white jazz shoes, Twelve by Twelve H&M dark taupe woven belt.